
First thing in the morning, three Venetian men chat in front of a local tavern while having a drink – probably but not necessarily espresso – to start the day.

I am not a well-organized traveler. I do not really map out my visits to a place in great detail. I generally have a list of sites I would like to visit, call them tactical objectives, but I do not have a strategic plan to “conquer” all of those tactical objectives. I am as mystified as I am impressed with people who plan out their trips in methodical detail – day one, starting with a tour of A, followed by a walk to C, stopping along the way for a break at cafe B with a splendid reputation, and so on. I set out with my camera in hand, as often as not just walking and letting my eye determine where my feet take me. Sometimes I start with a minimalist plan, heading for tactical objective A, occasionally with the idea of heading next for objective B.
On my first day in Venice, I got an early start, taking a vaporetto from Lido Island where I was staying to a stop on the north side of the main island. I had meant to take a vaporetto to the south side of the island, but got my numbers confused and ended up on the north side. I did not really have any idea where on the north side I should go, so after consulting Google Maps, I picked a stop arbitrarily, got off, fired up my Nikon, and started walking. The time stamp on the first photo I took after getting off the vaporetto is 7:40 am, still fairly early on a Saturday morning. There were not many people out.
That first walk left me breathless – I was in Venice! And it was as amazing as I had expected it would be. I had no idea where I was headed, I just kept walking. Eventually, after 45 minutes or so, I found myself in bright sun looking out at the lagoon. I had crossed the island and was not too far from the Doge’s Palace and St. Mark’s, so I set out to see the famous center of Venice. It was now around 8:30 in the morning and already there were quite a few people walking around and looking at the sights.
In an out-of-character bow to advance planning, several weeks before leaving Vietnam, I had purchased a Venice Museum pass, which gained me free, don’t-wait-in-line admission to the Doge’s Palace and several other museums in the city. I was standing in front of the palace, and there was not likely to be a better time to visit, so in I went. I rented an audio tour device, which had a lot of interesting information, but in the end it was too much detail, more than I needed or could follow. I listened to some of the tour, but spent a lot of my time just letting my eyes soak in the visual feast that is the palace.
My museum time threshold is 90 minutes or so, maybe a couple of hours max. In any case, after a couple of hours in the palace, I was getting very antsy and needed to get out. What I could not do was find a way to exit the museum without finishing the tour. Whether early escape exit paths exist, I cannot say, but I never found one. I came instead to a sign that informed me the next and final part of the tour was of the prison in the Doge’s Palace, and I could take the short tour or the extended tour including the dungeons. I definitely opted for the short tour, which proceeded through narrow bare-rock passages, where I somehow became trapped in the middle of a large guided tour of Germans. Narrow passages, as in, I could not get past the German tour, which was moving at a slow pace while the museum guide explained the sights. In great detail and, not surprisingly, in German. Ah, so. Eventually, I managed to squirm out in front of the Germans, and thankfully found myself in front of a sign that said exit.
Released to the fresh air of a magnificent October day, I wanted to escape crowded St. Mark’s Square and find a relatively quiet cafe where I could have a bite to eat, and sit for awhile to regroup. I consulted Google Maps again, and struck out towards the center of the island. Immediately, I found myself in a maze-like warren of narrow lanes surrounding the square. The lanes were packed with people, and I could not find a way out. I ended up going in circles, coming back to the same place repeatedly. Not unlike Frodo and Sam trying to escape the rocky Brown Lands on their way to Mordor. Not that I was planning a visit to Mordor. Forget it. Bad analogy. I found myself tired, hungry, and in the midst of a minor anxiety attack that only went away after I finally escaped the St. Mark’s area, eventually making it to a small outdoor cafe along side a canal. It was past lunch time and only one of the tables was occupied with people speaking Italian who acted as if they might actually live in Venice. The food and coffee were excellent, the waiter was charming and friendly in an Italian way, and I ended my visit to St. Mark’s Square in an altogether pleasant, relaxing setting.
I read somewhere that Venice has fewer tourist arrivals, on average, in October than in any other month of the year. Maybe, but the city was hardly empty during my visit. I suppose everyplace on the city’s relatively small main island gets its share of visitors, but that visit to St. Mark’s Square and surroundings was only area I found especially – oppressively – crowded during my stay in Venice. The post’s image attempts to capture the claustrophobia of the area just beyond the square.

The entrance to St. Mark’s Basilica was covered by scaffolding for preservation work of some kind on the day I visited. Given the volume of tourists passing through St Mark’s Square and the famed chuch, maintaining this site must present enormous challenges. In any case, I happily settled for of an image of the top of the western-facing facade of the basilica. Backlighting from a morning sun added a nice touch.

Ponte dei Sospiri or the Bridge of Sighs spans the Rio Del Palazzo, which runs along the side of the Doge’s Palace and St. Mark’s Square. After appearing in court in the Doge’s Palace, convicted prisoners were taken across this bridge to a prison on the other side. As they got their last view of beautiful Venice crossing the bridge, prisoners were known to sigh; hence the name of the bridge. Or so the story goes.

The Grand Canal glows as the sun rises behind Basilica di Santa Maria della Salute. It’s a breathtaking view from where I am standing on Ponte dell’Accademia, which spans the Grand Canal several hundred meters distant from the basilica.
Countless thousands of photographers have stood on the same bridge – the morning I was there, I shared the bridge with more than a dozen people photographing this sunrise – taking similar photos of Grand Canal sunrises. In short, this photo is a cliche, I know it, and am genuinely thrilled to have the image in my portfolio.

Although the sun would break through a bit later, Schönbrunn Palace was set off by heavy, brooding clouds when I first arrived on a Sunday morning. As I walked from the nearby subway station to the Palace gate at 7:30 am, I saw virtually no one. Though he is a little hard to make out in the relatively low-res photo for web posting, there is a lone jogger just to the right of the staircase in the photo. In any case, my plan was to take an early morning walk around the Palace grounds and later buy a ticket to go into the Palace. The walk through the beautiful grounds was thoroughly enjoyable, and went just as planned. However, when I went to buy a ticket for the Palace, the earliest I could enter was after 1:30 pm. Typically, I had done zero research or advanced planning for my visit, and thus was not aware there is a limit to the number of visitors inside the facility at any given time, and one has to reserve a time when buying a ticket. I wanted to go inside, but with only three and a half days in Vienna, it just did not make sense to spend pretty much an entire day at the Schönbrunn, so I went in search of brunch and coffee instead.
Schloss Schönbrunn served as the principal summer residence of Austria’s Hapsburg rulers from around the year 1600 until early in the 20th century. Several kilometers from the Hofburg in the center of old Vienna, even today the Schönbrunn and its extensive landscaped grounds are removed from the bustle of contemporary Vienna. The imposing Baroque-style edifice that appears in this photograph was completed in the 1740s during the reign of Hapsburg empress Maria Theresa. Wikipedia informs us that the palace has 1,441 rooms. The Schönbrunn and the grounds are preserved, restored as needed, owned and managed by a limited-liability company, which is, in turn, wholly-owned by the Austrian state (Wikipedia). Although I did not get inside the palace itself, everything I saw outside was immaculate and in excellent condition. Very impressive.

The main gate to Schönbrunn Palace.

And yes, the Schönbrunn has more statues featuring scantily clad classical figures in what appears to be uncomfortable repose.

I took time off from exploring to visit the Albertina. I spent most of my time looking at the museum’s marque exhibit “Michelangelo and Beyond,” an examination of how the master’s treatment of the human body, based on his extensive study of human anatomy, has had an enormous impact on painting and sculpture that can be seen in the works of numerous artists who followed Michelangelo. Definitely worth the price of admission.

Belvedere Garden is based on the design of the French garden at Versailles. The Garden slopes down gently from the Upper to Lower Belvedere, which is the building with the red roof at the end of the promenade. The Garden has great water features featuring classical or mythical characters spouting fountains of water high into the air. The domed building on the right belongs to a Catholic church, which is not part of the Belvedere.

Vienna is full of statues of mythical, bare-breasted female figures. The statues are highly stylized and, I assume, not expected to be taken seriously as representations of women. What an arm! Looks like this girl could bench press a couple of hundred pounds without taking a deep breath. This statue and a partner out of the frame to the right sit in front of the main entrance to the Upper Belvedere pictured here.

A sign tells visitors this is one of several fountain statues called the Large Cascade. Apparently, when the Garden was built some 300 years ago, a complex system of pipes was installed to force water out of the mouths of the fountains, and keep it flowing downhill towards the Lower Belvedere. Today, I presume electric pumps are doing the heavy lifting.

The Upper Belvedere from the southern entrance to the Garden. I really could not have asked for a nicer day to visit this place.

The main entrance to the Lower Belvedere is shown here. Prince Eugene, the military leader who had the entire Belvedere complex built to serve as his residence in Vienna, used this building as his house; I wonder if he ever set foot in all of the rooms the place has during the years he lived here. I have no idea what he did with the Upper Belvedere. Maybe he had a big family. Today, both facilities serve as museums.

At play in front of the Lower Belvedere.