Tag: temple

Temple on a Mountainside, Kyoto

Located in the foothills around Mt. Otowa to the east of Kyoto, Kiyomizu-dera Temple overlooks modern Kyoto. The temple was established in 788 CE during Japan’s Nara period, and affiliated with the venerable Hosso sect of Japanese Buddhism. Today, the monks caring for Kiyomizu-dera belong to the Kita-Hosso sect. Taken from the balcony of one of the smaller halls, this image shows the temple’s Main Hall and the pagoda in the entrance area on the far right with the city of Kyoto in the distance.

The West Gate is in the foreground with the temple’s pagoda directly in back. I am facing due east at 9:00am on an overcast morning. Why I have no photo of the larger, more impressive main gate to Kiyomizu-dera just to the left of where I am standing to take this photo is absolutely beyond me. I do, however, have a photo showing part of the main gate taken from inside the entrance with Kyoto in the distance. To the west, some blue sky has broken through the clouds.

For awhile it appeared that the day would become bright and sunny as the photos of the pagoda above and, below, of the West Gate from inside the entrance to Kiyomizu-dera suggest.

Kiyomizu-dera’s Main Hall sits on a steep incline and is supported by a wooden trellis that sets the building’s platform some 13 meters above the base of the incline below. My photo of the Main Hall does not really do justice to the building itself because I am distracted by the size of the crowd on the platform. It is no surprise that crowds of people want to visit a site like Kiyomizu-dera with its magnificent examples of Japanese temple architecture in a beautiful setting offering breathtaking views of its surroundings. I am taking the photo below at 9:45 in the morning on any old Tuesday in October. The crowd is bound to be larger by midday, and one can only imagine what happens on weekends or holidays. It is no wonder that some locales are instituting reservation systems that allow access at a specific time on a given day for popular sites with high volumes of visitors. If they are not in Japan already I would not be at all surprised to see such reservations systems arriving soon in Kyoto and elsewhere in the country. With literally billions of people able to afford relatively low-cost flights and budget tours, the problem of unsustainable over-tourism is not likely to get better in the foreseeable future.

A short way up the hillside from the main temple area, this small pagoda overlooks the Main Hall. By this time the clouds had returned and there was not much sunshine left. I did not make it all the way to the pagoda, instead turning to head down to the Otowa Waterfall at the base of the incline with the Main Hall at the top. Water is indeed falling from three pipes into a small pool, though Otowa is not what we generally think of as a waterfall. Be that as it may, Wikipedia tells us that Kiyomizu-dera means “pure water temple.” Those who drink a cupful of water from the falls are purified. I decided a single cup was unlikely to meet my needs for purification and kept on walking.

Despite the crowds of people, there were quiet spots and moments of peace for contemplation throughout the temple area.

To-ji, an Ancient Kyoto Temple

Early Monday morning, my first day in Kyoto, I set out on foot, walking to the To-ji Temple about 2km from my hotel. To-ji was established in 796 CE shortly after Japan’s imperial capital moved to Kyoto from Nara. It was one of only three temples allowed in the new capital city.

The buildings in the temple compound, built of wood that was darkly stained, were magnificent. Though the designs of the buildings are similar to temples I have seen in China, I have come across nothing comparable to this unpainted, natural wood style in temples elsewhere in the region. The photo above is of the Kondo, To-ji’s Main Hall. The original structure in this location was destroyed by fire; this reconstruction was completed in 1603. One of the pieces I read about To-ji says the Kondo incorporates elements of an Indian temple design style.

I choose this temple, in part, because I could walk to the site. The main Kyoto rail station that was near my hotel is the city’s transportation hub. Not only does it offer bullet train service to other parts of Japan, there are also half a dozen or maybe more urban rail systems that originate in or pass through Kyoto station. The place is enormous and both the station and the surrounding area are crowded with people, as I discovered when I arrived in the city late on a Sunday afternoon. I did not feel like figuring out how to navigate the city’s public transit system, with its multiple providers, to get to another site on a dazzling October morning. A quick check of Google Maps indicated To-ji Temple was in easy walking distance, and a quick look at Wikipedia suggested it was worth a visit. Both were correct.

The southern gate of To-ji that opens directly in front of the Main Hall is another impressive natural wood structure. To-ji rendered in Japanese, as seen on the two white lanterns, is 東寺, which means “east temple.” The two characters have the same meaning in Chinese, though the words in the two spoken languages do not sound the same at all. At one time there was a “west temple” near To-ji, but it was destroyed at some point in the past.

The Kodo or the Lecture Hall sits behind the Main Hall. The first building on this site was completed in the 9th century CE. The present Lecture Hall, which retains the design of the original was completed in 1491.

I arrived at To-ji Temple a bit before 8 in the morning; it was a beautiful day, a delightful opportunity to stroll the grounds when there was virtually nobody else around. The Main Hall and the Lecture Hall are fenced off, you cannot get close to them without a ticket, something I did not realize when I walked into the compound. I eventually found a ticket office and bought a ticket that gave me access to a garden with a five story pagoda in its midst, and the main temple buildings. Upon entering the ticketed area, I immediately went down a rabbit hole that I hoped would lead me to a vantage point that allowed me to photograph the pagoda without shooting directly into the morning sun at the same time. I failed; the vantage point for morning color photography was to the south outside of the compound.

After I settled for some disappointing shots of the pagoda, I left To-ji and headed back towards the train station area. Having purchased a ticket that gave me access to the central temple compound, why I left when I did instead of doubling back and taking a closer look at the main temple buildings is absolutely beyond me. This trip convinced me that my approach to the kind of travel photography I like is too erratic and undisciplined. More research in advance of going to a site I may very well only visit once would help me walk away with a folder of photos that has a chance of capturing what the site is about.

Back at home in the digital darkroom, I eventually gave up trying to process color images of the pagoda. With the sun more or less in my face, I could bring out virtually no detail at all of the building itself. It was just undifferentiated shadow. I got better results when I converted the images to black and white.

Senso-ji: a Buddhist Masterpiece

The venerable Senso-ji Buddhist temple (officially Kinryū-zan Sensō-ji (金龍山浅草寺)) is located in the Asakusa area of downtown Tokyo. The photo above (follow the link for more of this beautiful compound) shows Hozomon (the Treasure House Gate) that provides an entrance to the main temple; it is flanked by Senso-ji’s five story pagoda on the left.

Founded in 645 CE, Senso-ji is the oldest established temple in Tokyo. The temple is dedicated to the bodhisattva Kannon (観音菩薩), called Guanyin in Chinese; this beloved Buddhist deity is associated with compassion. Senso-ji is one of Japan’s most important Buddhist temples and one of the country’s most popular tourist attractions. In fact the Wikipedia entry for Senso-ji informs us that “it is the most widely visited religious site in the world with over 30 million visitors annually.” For what it is worth, there was no shortage of visitors on the day I went.

Tourists who have arrived at Senso-ji before the crowds line up to take photos in front of Kaminarimon

The first gate, the street side entrance that one passes through on the way to the inner compound, is Kaminarimon (the Thunder Gate) . When I arrived at around 8:20 in the morning, tourists were beginning to trickle into the compound. Before heading inside quite a few people were waiting in line along the street for the chance to get an unobstructed photo of themselves standing dead center in front of the gate. There were a few solo travelers taking selfies, but it was mostly couples who would switch off, each taking two or three photos of their mate. A few people got a bit carried away, but the line remained orderly and people were impeccably polite. It was actually rather charming to watch. The photo below is the same scene as seen from inside the gate just before I turned my back and set off towards Hozomon.

The view of tourist lined up for photos from inside Kaminarimon

It is worth noting that none of the buildings one sees today within the large compound date back to the temple’s founding. The temple area was leveled in a March, 1945, bombing raid towards the end of WWII. Today’s buildings are reconstructions completed for the most part in the 1950s and 1960s. Wartime destruction was not the first time parts of Senso-ji were devastated; buildings within the compound have been destroyed by fire on numerous occasions during the 1700 years of Senso-ji’s existence.

Hozomon from the front or south face.
Hozomon from the rear or north face.

The two images above are both of Hozomon, the second of the gates between the entrance to the compound and the main temple of Senso-ji. In the first, I am facing the front of the gate as I walk towards the main temple. It is about 8:30am and the October sun is still fairly low in the sky behind my right shoulder. I took the second image from the top of the steps leading into the main temple. This side of the gate faces north; the sun is in front of me and to my left. Though it does not bring me level with the roof, my elevation shows how steep that roof is, and how it dominates the building below it.

I have lived in East and Southeast Asia for some 35 years now and have visited lots of Buddhist temples during those years, in China, Taiwan, Hong Kong, Vietnam, Thailand, Cambodia, and now Japan. Some of these have been large, wealthy and well-known, some draw crowds of tourists, but many have been small and unknown to all but the monks and nuns that call them home and the devout Buddhists that they serve. Buddhist temples and pagodas in Japan are similar in some respects to their counterparts in China, but Japanese design is strikingly different in other ways. The roofs of the buildings, in particular, are very steep and they project out quite far from the actual building. Japanese multi-storied pagodas like the one in Senso-ji are unique, I have seen nothing like them elsewhere in my travels. I am not familiar with the terminology used to describe architectural designs and features, so it is best to let the photos speak for themselves.

The magnificent five story pagoda at Senso-ji.
Decorative door art at Senso-ji.
The main temple at Senso-ji.

I am disappointed in myself that I do not have more images of the main temple building and the area around it. One of the lessons of this and other visits to well-known destinations in Japan is that my approach as a photographer to these places needs to be better organized and more disciplined. As I look through the folder of Senso-ji images, I not only see what is there, but also a number of images that are missing.

By the time I left Senso-ji shortly after 11am, any semblance of order at the Kaminarimon gate had disappeared as crowds of visitors headed inside to see the temple compound.

Being the world’s most visited religious site has its drawbacks, or so it seems to me.

Buddhism with Vietnamese Characteristics, Da Nang

The Buu Dai Son Pagoda (Chùa Bửu Đài Sơn) is one of my favorites in the Da Nang / Hoi An area. It sits facing the sea (my back is to the beach and the East Sea) several kilometers from downtown Da Nang on the seaside road heading to the Son Tra peninsula. Like many Buddhist sites in Southeast Asia, Buu Dai Son is garish and colorful, in this case in a distinctly Vietnamese way. I looked but could not find the date this pagoda was founded or the date its current structures were built, though I have no doubt the buildings are of recent origin. At the same time, there is no question that the designer was inspired by historical sites like the Eastern Guard Tower in Hue and numerous other traditional Vietnamese structures, both religious and secular in origin, scattered throughout the country.

At the Entrance to Ta Prohm

This photo was taken standing just outside of the entrance to the Ta Prohm temple, called the Tomb Raider temple by many because it was a location in the film of that name. Sunlight breaking through the overcast sky provides dramatic lighting for the trees against a background of dark, threatening rain clouds. Angkor Wat and the surrounding countryside are in the middle of the annual rainy season featuring almost daily rain showers, steamy humidity, and enervating heat.

I had a 20mm lens mounted on the camera. I love this lens – another superb piece of equipment by Nikon – but the distortion caused by the very wide angle of the lens limits the situations where it can be used effectively. In this photo, I think the distortion adds tension to the composition and this enhances the already dramatic lighting.

North Gallery, Angkor Wat Temple

After walking to the big open area in the center of the main Angkor Wat temple, this stunning building, which cannot be seen from inside the temple, is off to the left (with the temple entrance at your back) and through a couple of doors. In front of where I stood to take this photo, there is stairway down to the grass area. I found a map of the Angkor Wat temple complex online that labelled this structure the North Gallery. That name does not really reveal what the function of this building was.